Music

I Went To A Game Music DJ Show

West of Tokyo, about 10 minutes away from Shinjuku via the Chuo Line, is Koenji, a neighborhood called the coolest in Tokyo by many a magazine both foreign and domestic. This is thanks largely to the hood’s amazing bar and club scene. Take a stroll down any of Koenji’s dozens of sketchy-looking, but entirely safe, sidestreets and you’ll come upon any number of hip clubs and pubs, each with their own unique flavor and style. Want to eat hot dogs and down American IPAs? Koenji has bar for that. Want to watch YouTube videos of 80s hip-hop and play darts? Koenji’s got you covered. Want to dance the night away with otaku while rocking out to killer game music jams from the 80s to today? Apparently Koenji’s the place the for that now too. Continue reading

Game Music Revue – Sound Mario Bros.

Man, living in Japan in the 80s must’ve been dope as shit. Continue reading

Steve Winwood and self-realizations

Oh shit I accidentally bought a Steve Winwood album. I hate it when that happens. Continue reading

Game Music Revue: Famicom/Namcot Game Sound Museums

When I moved to Japan a few years back, my game music collecting habit really kicked itself into overdrive. And whenever I would go out looking for CD soundtracks of my favorite classic titles, I would occasionally stumble upon these strange tiny CDs of Nintendo game audio. I would pick one up whenever I saw them. They were cheap, and many of them were for some of my favorite games of all-time, so why not?

Next thing I knew, I had over 30 of them. Continue reading

Tales Of Woe And Analog-To-Digital Conversion

It’s eight o’clock on a beautiful Sunday evening. I worked a long day, time to relax.

And by “relax” I mean “work on dubbing a VHS tape to a DVD via a VCR/HDD/DVD combo unit I bought last week, while copying a new record to my hard drive via a USB phono-preamp, followed by copying an obscure ambient audio tape to my computer via the same device. I’m also ripping a concert DVD to my hard drive so I can convert it to audio and then into individual MP3s.

Sometimes I wonder why I can’t just stream shit like everyone else. Continue reading

Listen to Whipping Post

I didn’t go good on my last test. I’m going to listen to “Whipping Post.”

I can’t meet anyone and I’m lonely all the time. I’m going to listen to “Whipping Post.”

I can’t find a job. The market’s dried up. I’m going to listen to “Whipping Post.”

I’m working in a warehouse with no air conditioning. I’m going to listen to “Whipping Post.”

The place I just moved into has cockroaches, my roommates are assholes and I’m fairly certain my next door neighbor is a drug dealer. I’m going to listen to “Whipping Post.” Continue reading

Logic Exhibition – Vintage Synths Galore

Hideki Matsutake isn’t a household name in Japan, let alone the United States, but his influence on electronic music on both sides of the Pacific cannot be understated. He worked as the sequencer programmer on the first two Yellow Magic Orchestra albums, as well as many of the solo albums by Yukihiro Takahashi and Ryuichi Sakamoto. His skill with the notoriously difficult early synthesizers and sequencers of the 1970s no doubt helped YMO craft their sound. In turn, YMO served as a major influence to artists not just in Japan, but the world over. It’s hard to imagine a world with Human League’s “Don’t You Want Me Baby” without Yellow Magic Orchestra’s 1978 debut album to help lead the way.

In addition to his work with YMO, Matsutake is an accomplished solo performer under the name Logic System, and has also worked alongside countless musicians in Japan from the 1970s to present day. In celebration of his decades of accomplishment, he recently released the five disc retrospective Logic Chronicle, which demonstrates his amazing versatility across genres and sub-genres of electronic and rock music, from synthpop and dance music to avant-garde and prog. It’s an incredible collection and I highly recommend it.

To help promote its release, Matsutake held a major exhibition over the weekend, which included interviews and a concert performance. Sadly, I couldn’t make it to either of those, but I was able to swing by the pop-up store for it. I came there hoping to snag some obscure Japanese electronic music. I didn’t expect to see the actual instruments used to help invent synthpop. Continue reading

David Bowie Record Store Day 2017 Vinyl Reviews

This Record Store Day saw two “exclusive” David Bowie releases. One is a five-sided, three LP live album entitled Cracked Actor (Live Los Angeles ’74), while the other is Bowpromo, a re-issue of a promo-only LP from 1971.

Both of these are releases are limited editions. The live album got a pressing of 17,000 worldwide, while Bowpromo received a one-time pressing of 15,000. This will no doubt lead to them commanding a hefty price on the secondary market. As I write this in Tokyo, the record stores are just opening their doors in the UK, with the US soon to follow. Copies of both records are already flooding eBay, and I expect even more to show up on the site very soon. And if the stock at my local Tokyo stores was any indication, those who didn’t snag one in the stores within the first hour of doors opening will probably have to go to eBay if they want one.

But should you even bother? Continue reading

YMO 101: The Pre-Cursors and Side Projects

This is part five of my guide to Yellow Magic Orchestra.
Part 1: The Studio Albums
Part 2: The Live Albums
Part 3: The Compilations and Remix Records
Part 4: The Solo Records

If you get big enough into any band that had any kind of success, you’ll start to look out for side-projects, pre-cursors and follow-ups. Sometimes this can lead you down a great road of musical discoveries. I’m sure many a young Zeppelin fan didn’t get into The Yardbirds until they found out Jimmy Page was in the group. And Pearl Jam fanatics of the 90s got to discover the entire foundation of the grunge genre with Green River and Mudhoney. But charting a band’s musical tree doesn’t always work out so well. I pity the Slipknot fan who bought anything by Stone Sour expecting anything resembling actual music. And while they’ll always have “Genius Of Love,” anyone who thinks that Tom Tom Club are a worthy companion to Talking Heads are just fooling themselves.

Luckily, the YMO fan looking to explore the various bands that Yukihiro Takahashi, Haruomi Hosono and Ryuichi Sakamoto have called themselves members of is in luck; those groups include some of the most influential and important bands in Japanese rock history, fun upbeat pop music, easy-listening jazz, and some interesting experimental electronic offshoots.

Only one of them is godawful horrible. Continue reading

Game Music Revue: Rez Infinite (iam8bit Edition)

  • Credited Composer: Various Artists
  • Released February 15, 2017
  • Label: Nippon Columbia
  • VGMdb Information Page

The Rez soundtrack is the dopest shit.

It’s the soundtrack to the future, if your present is the mid-90s. It’s what you listen to when you’re in The Matrix. What you put on your headphones if your Angelina Jolie in Hackers. It’s the top 40 radio of the Ghost In The Shell universe. Continue reading

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