Reviews

Vinyl Review: Daft Punk – Random Access Memories

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Daft Punk is back! And they brought disco!

But don’t worry, it’s okay, I  promise.

I’m going to be honest with both myself and you all reading this: you don’t need to read my opinion of Random Access Memories. By now you’ve probably listened to the album for yourself, and probably even read dozens of other, much more in-depth reviews. And they’re all right: the record is a game changer. It will blow your mind. It re-invents dance music by taking it back to synth-pop, disco and funk all while putting its own spin on all of it. It’s bloody brilliant. You’ve never heard anything like it, but at the same time it wears its influences on it sleeve in the best ways imaginable. Name a praise for the album, it’s accurate.

You should buy this album

But should you buy it on vinyl?

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Review: Final Fantasy Vinyls

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The plural of “vinyl” is, in fact, “vinyl.”

Now that I got that out of the way, Final Fantasy Vinyls (sigh) is a a 5LP box set featuring music from the first ten Final Fantasy games. Each song was hand picked by series composer Noburo Uematsu and specially remastered for this vinyl release.

The box set came out in Japan in November. I was lucky enough to snag one while I was there, and I’ve been meaning to review it ever since. However, I wanted to review both the vinyl and the downloadable MP3s that came with it, but I was unable to redeem the codes due to them being on a Japanese website, and me speaking/reading/understanding zero Japanese.

Twitter to the rescue! With the help of one Matthew Keehan, I was able to get my downloads in order, and now I am finally able to present to you my thoughts on this box set.

And after all that wait, what do I think of it?

Eh, it’s okay I guess.

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Instant Finds – Dungeonmaster

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The Devil vs. Bill Gates.

That’s the best way to sum up The Dungeonmaster, an ultra low-budget 1983 schlockfest from Charles Band’s Empire Pictures. A mainstay of video stores throughout the 80s, the out-of-print film is now on Netflix (on a transfer that looks like it was dubbed from a VHS tape) allowing new generations to discover and finally learn the answer to the question, “Can you defeat the devil with DOS?”

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Review: Blade Runner Original Soundtrack (Audio Fidelity Edition)

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It’s easy to forget, but when Blade Runner was first released in cinemas in 1982, the film was both a commercial and critical dud. It wasn’t until the Director’s Cut was released to theaters ten years later that many began to turn around on the film and see it for the sci-fi classic that it is now considered to be.

However, one point that was never in contention even during the harshest critiques of the film was its score. Composed by Vangelis, who also brought us the iconic Chariots of Fire theme, it was instantly lauded as sensational, and even earned itself several award nominations.  Oddly enough though, an official soundtrack was never released during the film’s original run. Instead all fans got was an album of “orchestral interpretations,” something that was not at all representative of Vangelis’ haunting, mostly synthesized, score. It would take over 10 years for the actual soundtrack to see the light of day. But by the time it was released in 1994, LPs were at an absolute nadir in terms of sales, so it was only given a CD release.

Now, over 30 years since the film’s original release, the original soundtrack has been released properly on vinyl, thanks to re-issue label Audio Fidelity. And while I wouldn’t say it’s been worth the wait, fans who were holding out all these years for a vinyl copy of the film’s iconic score probably will not be disappointed.

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Review: Astralwerks Music in 20/20

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This year marks the 20th anniversary of Astralwerks, the American electronic music label responsible for bringing acts like Air, Fatboy Slim, The Future Sound of London and The Chemical Brothers to the states. Astralwerks was a major force behind America’s embrace of “electronica” in the mid-90s, and while the label’s relevance has diminished a bit since then, they’re still a dominant presence in the electronic music scene, with releases by artists like Empire of the Sun, David Guetta and NERVO tearing up dance charts today.

In celebration of their anniversary, Astralwerks put out a special limited edition Record Store Day release, a 20 flexi-disc box set, featuring 20 tracks by 20 different artists who supposedly best represent the label’s diverse sound (including their occasional forays into rock and folk music). It’s a very odd, and sadly disappointing release, one that fails to properly represent the label’s rich legacy while at the same time incredibly unpractical to play and unpleasing to look at.

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Review: The Flaming Lips – Zaireeka (4LP Record Store Day Edition)

I have a love/hate relationship with Record Store Day releases. On one hand, I love going out and getting some weird, ultra-limited edition album or single that I know most people will never see in person. I love the excitement. I love the hunt. I love the “specialness” of it all.

But on the other hand, I hate all of that too. I hate that an artist would purposely limit the number of fans who will be able to listen to their music. I hate the idea of “exclusive” tracks buried in limited edition, hard-to-find records, and I hate that most Record Store Day exclusives are typically either re-releases of old material or “timed” exclusives that will eventually see a wider release in an easier-to-find edition.

So this Record Store Day I decided to go light. I wasn’t going to run around the city and try to find the hardest-to-find, most sought after items. I was going to go to one record store, see what they had, and be done with it. By the time I got there it was nearly noon, so they didn’t have much. I picked up the Pulp remix 12″ single and didn’t see much else. I thought I was going to get off light this year and actually not spend a lot. Then I saw this.

Zaireeka Front A 4LP edition of The Flaming Lips’ 1997 experimental opus Zaireeka. A four-record set that requires you to play all four records at the same time. I bought it. Because when I go stupid, I go stupid hard. Continue reading

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