James Eldred
Blown Opportunities and Taking Stands
I was in a record store in Shibuya today (as am I most days) and there was a television crew there interviewing some white dude. I couldn’t hear everything they said, but I could tell they were asking him about why he came to Japan and about record stores in the area.
I was really hopping to get my chance on camera too. So after they finished up his interview, I casually sauntered over to them, hoping they would ask me too.
It turns out they were really mostly interested in tourists, but when I showed them my blog and my massive guide to record stores in Tokyo, they really wanted to talk to me. Before committing, I wanted to know more about what show/network the show would be on.
They told me TV Asahi, so I let out a heavy, depressed sigh and told them I couldn’t do it.
TV Asashi is the home of London Hearts.
And fuck London Hearts. Continue reading
City Pop: Big In Japan?
One of my favorite releases from last year was Tokyo Nights, a compilation featuring Japanese disco and pop from the 80s. I love it because it’s just so upbeat and fun. The tunes just bounce in a way that I don’t hear that often. The best tracks on the CD remind me of early Madonna or Sheena Easton – unabashedly positive pop music made 100% for dancing.
I adore this record, and wanted to hear more from the artists on it, so I went down to Mecano, a record store located in Nakano. Mecano specializes in 80s music, so I figured that it would be the place to go to get my 80s J-pop disco fix. I talked to the owner, reading off some of the names I was looking for, like Hitomi Tohyama and Junko Ohyashi.
He laughed.
He laughed a lot. Continue reading
The Star Wars Trailer Sound Tape – What The Hell is This Thing?
I bought this tape and I don’t know what it is.
I picked it up at a local record store last month. It had literally been there most of the year. First it was priced at 5,000 yen. After a few months with no takers, they sliced it down to 3,000 yen. At that point it became tempting, but I held my ground, telling my boyfriend that I wouldn’t buy it for any more than 2,000 yen. Cue a few months later, and they cut it down to 1,500, so I snagged it.
But, like I said, I don’t know what it is. Continue reading
Nothing’s Easy When You’re Big in Japan
One time a student told me that he saw me walking around Shibuya. I asked why he didn’t come up to say hi and he said that he couldn’t because I was about two blocks away.
What I’m saying is, that as a nearly 2 meter (six-and-a-half foot tall) white dude living in Japan, I kind of stand out. Continue reading
A Collection of Strange Japanese Band Names
I go to Tower Records almost every week. I never know what I’ll find there, whether it be a deluxe edition of a classic album, a Japanese edition of a new release that includes exclusive bonus tracks, or an amazing album by a Japanese artist I had never heard of. It’s a smorgasbord of audio delights that keep my ears happy and my wallet empty.
An auxiliary reason for my frequent travels to the store is to check out the latest in the never-ending army of wacky Japanese band names. You’d think after four years that this shit would get old, but it doesn’t.
Here are some of the odder ones I’ve seen in my time here. All photos were taken from displays at either the Shibuya or Shinjuku Tower Records. Continue reading
YMO 101: The Protégés, Associates and Etc.
This is part six of my guide to Yellow Magic Orchestra.
Part 1: The Studio Albums
Part 2: The Live Albums
Part 3: The Compilations and Remix Records
Part 4: The Solo Records
Part 5: Pre-cursors and Side Projects
Yellow Magic Orchestra were a lot like Prince, (except less purple and horny – and I assume taller): they used their success as a means to launch a near-endless cavalcade of proteges, pop starlets, and associates into the the mainstream (or at least try). They even launched their own vanity label, Yen Records, the logo of which is featured above.
I couldn’t possibly write about every single artist that YMO was associated with, that would take far too long (and this ran long as it is). Instead, this focuses on acts who I found noteworthy in one way or another. Either they had impressively long discographies, a strong connection with someone in YMO, were a substantial success in Japan, or were just damn good.
Of course, this list is entirely subjective, so if you think I left out an act worth mentioning, please tell me about them in the comments! Continue reading
Happiness Is a Warm Arcade
Japan is still well known for its video game and arcade culture, but neither are really what they used to be. I think its public knowledge that Japan’s importance in console gaming has long since diminished. Sure, its made a bit of a comeback as of late, but the majority of the classic Japanese game developers, Capcom, Konami, Sega, and so on, are all just fractions of what they used to be. And they’re the lucky ones, a hell of a lot more are defunct completely, or exist only as a holding house to license out old IP.
Sadly, arcade culture in Japan has diminished recently as well. It feels that not a year goes by where you hear of some classic or legendary game center in the greater Tokyo area shutting down. And the ones that remain have been forced to shift their focus away from classic arcade style games and more to redemption machines (crane games) or insanely complex rhythm games. And while I find both to be fun in their own ways, they’re very much not for everyone.
Sure, Akihabara has lots of arcade still, with some great ones that even focus on retro machines. And that’s awesome. If you’re a tourist then I totally recommend you check them out. But, the longer one spends in Akihabara, the sadder it feels. The pervy underbelly becomes more apparent. You start to notice the games less, and the disgusting old men lusting after women in schoolgirls more. Not to mention storefront after storefront catering to the most base-level otaku with anime porn featuring obviously underage girls. It’s an icky place.
Seeking an alternative to the perv-domain of Akiba, the boyfriend and I headed out to Odaiba last week, in search of a different variety of massive arcade. We escaped lustful sadness of Akihabara’s otaku culture and had some fun along the way, but also found ourselves face-to-face with a sadness of another kind. Continue reading
Sick in Tokyo Redux – A Story about Poop
I don’t write about “life in Tokyo” very much because, well, it’s just “life” for me now. Maybe I should’ve written more about it when I first moved here, but now the strange has become commonplace, the unique has transformed into the banal. Ask away about what I find weird or different in Tokyo now and I’ll be hard-pressed to come up with an answer.
That is, except when it comes to getting sick or needing medical attention. These are experiences that I find wholly different than getting sick in the states, and ones that I’m far too familiar with. Continue reading
Getting Old and Escapism via Nostalgia
I turned 38 this week and I think I’m finally starting to feel old(er) [kinda] {I think}. Continue reading
America: Great for Golden Girls and White Nationalism
One of the interesting things about living away from your home country is that when you come back to visit, you notice how things have changed. Not just little things like new buildings or stores in your local hood, but larger trends and societal changes.
For example, this time around I really noticed a change in TV. The cable channels have really adapted to the Netflix viewing model, and allow their viewers to binge watch their favorite TV shows. That was kind of great. I got to watch Fresh Prince, Golden Girls, and Forensic Files pretty much non-stop whenever I was in my hotel room. I was totally okay with that.
I picked up on some fashion changes too. Nothing major, but I did see a slight rise in floral patterns and colored cuffs on men’s shirts. Considering both those things are very Japanese, that surprised me a little bit. Not a big fan of that style, but whatever.
Oh yeah, I also noticed the rise of ethno-nationalism, white supremacy, and fascist ideals being put forth in mainstream discussion.
I was a lot less okay with that. Continue reading